Star Wars: Episode III - Revenge of the Sith (2005)
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| [XP] |
Starring: | Ewan
McGregor , Natalie Portman, Hayden Christensen, Ian McDiarmid |
| Directed by: |
George Lucas |
| Screenplay by: |
George Lucas |
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Episode III begins with possibly the classic of
movie space battles─classic in being overblown to the point of silliness. Never mind that
all Star Wars movies have used an unrealistic WWII naval air
battle model in which small fast craft attack slower behemoths. Never mind
that the small craft could only maneuver at WWII speeds or kill their pilots
from excessive g's. Never mind that when defenders blasted a smaller craft
headed toward them, the remains would still slam into them kamikaze style.
Even with the unrealistic battle physics, the original
Star Wars had panache; Episode III does not.
Lucas overdoes it by throwing a version of nearly every movie battle scene from
the last 60 years into Episode III's opening. There is, of
course, the trademark WWII naval battle stuff, but this time the small
spacecraft must fly through exploding puffs of flak. These linger in space like
little black clouds. First, while the black smoke did help WWII gunners
correct their aim by marking the position of exploding shells, how could it
possibly help in the blackness of outer space? Second, why would the
clouds of smoke linger? The smoke particles would have an outward velocity
and Newton's 1st law says they would continue moving outward at the same speed
until a force acted to slow them down. On Earth the force is air resistance.
In outerspace it's nonexistent. Third, using modern aiming technology at close
range with high velocity projectiles traveling in straight lines, free of air
resistance; how could the defenders miss? All attacks on large spaceships
would end up being kamikaze attacks. But the WWII foolishness is just the
beginning.
Next comes a mechanized version of the ominous bird swarming from
Alfred Hitchcock's 1963 classic: The Birds—not even a war picture—followed by an attack of small droids that attach to Obi Wan Kenobi's (Ewan
McGregor) spacecraft and attempt to drill holes in it, similar to
sentinel attacks in
The Matrix movies. Here's a thought: bullets are cheap; droids are
expensive; why not shoot a whole mess of bullets and let them drill the
spacecraft? Lastly, are the pirate-ship-style attacks.
Two large spacecrafts pull up within-stone throwing distance and deliver
broadsides with cannons. At least these are 20th-century-style breech loading
cannons, instead of the muzzle loaders of
yore.
Okay, apologists will no doubt have a lengthy explanation,
from a Star Wars publication of some type, for why the cannons are not
20th-century-style, but the facts remain: the cannons ejected empty artillery
shells; they recoiled; they shot something that exploded on contact.
Conventional cannons would work just fine in outerspace except
that they'd act like thrusters. When a cannon was
fired its recoil force could significantly move even a large battleship.
Remember, there's no water to help hold the ship in place. If the recoil force
lined up with the ship's center of mass, the ship would move straight-line-fashion
in the direction of the force. This motion is called translation. If the
recoil force did not line up with the center of mass, the ship would both
translate and rotate. Firing a broadside could easily cause a ship to roll and
send it traveling in the opposite direction of its target. Remaining on
station, not to mention firing follow up shots, would be a problem.
On Earth air resistance begins substantially slowing the
velocity of a projectile the instant it's fired. Cannon shells fired in outerspace would have no such problems. They would not arrive on target as
quickly as laser blasts but would arrive much faster than cannon shells do on Earth. With
modern microchip technology the cannon's projectiles could contain guidance
mechanisms to help keep them on target even if the target moved. There would
be no need for firing cannons at close range. In fact, such firing would be incredibly dangerous.
An exploding ship would take any nearby attackers with it.
Of course, the opening battle also has the quintessential rescue scene in
which a pair of—who else—Jedi with their plucky robot board a crippled ship
to save a crooked politician: Palpatine. (Isn't it obvious that the guy's a slime?)
Following lengthy samurai-movie-inspired fights, the badly-damaged ship
upends and falls straight down toward the planet it had been orbiting. (What
happened to its orbital velocity?) This sends everyone aboard sliding toward
the falling end of the ship. Okay, maybe "a long time ago in a galaxy far
away" they
understood gravity well enough to pump it like central heating fluid through
the floors of a spacecraft, but if they did, why would the artificial gravity's
direction change with respect to the floor when the ship fell toward a
planet? It seems like an artificial gravity force would always remain
perpendicular to the floor regardless of the ship's position.
As for the gravity force coming from the planet, keep
in mind that it exists at the same magnitude and direction for an orbiting
object as for an object stating to fall straight down. In either case it cannot be
"felt" by an observer on the ship because in both cases the ship is
freefalling: in the one case falling straight down, and in the other
falling in a stable orbit.
On descent, the burning ship breaks in half, but not to worry, the
mutilated behemoth miraculously reenters the atmosphere and lands at the nearest
space port, all without disintegrating—miraculous especially since the ship's shields were disabled
before it was boarded. Try that landing with a space shuttle on Earth and the
result would be decidedly unmiraculous.
After the battle, the movie focuses on Anakin Skywalker's
(Hayden Christensen) temptation by the Dark Side and transformation into the
black helmeted Darth Vader. The main reason for such a complete moral decline:
he had a bad dream. For heaven's sake, get the man a teddy bear and tell him
to buck up. The last straw comes when Anakin lops off the arm of a fellow Jedi
giving soon-to-be evil emperor Palpatine an opening to
push—with lightning no less—the hapless Jedi out the window of a high-rise.
The event also plunges Anakin into the depths of moral conflict. What to
do? Why, of course, drop to a knee, swear allegiance to the obviously
murderous and lying soon-to-be evil emperor, then personally slay all the
children in the Jedi temple. This from a person who studied under Yoda? And
we're supposed to think he'll eventually be redeemed in Episode VI?
Anakin leaves for further murderous adventures at the edge of
the Republic on a lava-covered planet. Obi Wan Kenobi
tracks him down intending to put an end to Vader's betrayals, but instead ends
up in a seemingly endless fight scene on floating debris in the middle of a
lava flow. A lava-covered planet would be a sauna in the best of locations,
but in the center of a lava flow, the radiant heat would be enough to ignite
clothing. Yet, the two Jedi are able to fight on and on without so much as a
sip of Gatorade®.
Eventually, Anakin (now called Darth Vader) is grievously
injured and lies dying, burnt to a crisp. (Apparently, the radiant heat was
enough to ignite one's clothing, but not until one is defeated in combat.) He
is rescued by the evil emperor who—sensing Vader's travail from afar—voyages
to the edge of the empire, in minutes, to save his new protégé and
outfit him with his trademark black armor. Meanwhile Vader's wife Padmé
Amidala (Natalie Portman) dies in childbirth after receiving the finest high-tech medical care available—the fatal ailment: a broken heart. Will there
ever be a cure for this relentless killer?
Finally we get to the moment we have long awaited: the return
of the baddest movie villain ever: the black helmeted Darth
Vader and what do we get? "Noooooo!"
Okay, we're nerds. For us Star Wars movies are an addiction. We had to see
Episode III even though, after Episodes I and II, we expected little. But if—heaven forbid—Lucas ever does another Star Wars, and we are subsequently
lured to watch it by the dark side of our nerdiness, we will muster all our
available force to
just say, "Noooooo!"
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